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title: Session 74 General Notes
description:
published: true
date: 2024-02-05T18:10:38.845Z
date: 2024-02-05T19:12:37.061Z
tags: game-master
editor: ckeditor
dateCreated: 2024-02-05T13:53:27.106Z
@ -29,27 +29,43 @@ dateCreated: 2024-02-05T13:53:27.106Z
<li>The walls are plastered and painted in beautiful patterns.</li>
</ul>
</li>
<li>Foyer</li>
<li>General notes:<ul>
<li>Walls: Wainscoting and plastered, with painted patterns or entire paintings on the wall.<ul>
<li>Wainscoting: wooden panels or planks on the lower portion of the walls. &nbsp;Tends to be a lot of details in them. Thick railing at about waist height, intricately carved and made of luxurious wood</li>
<li><strong>Wainscoting Depth and Dynamics</strong>: The depth created by the panels, along with the dynamics of their design (carvings, moldings, and the overall texture), adds richness and a tactile quality to the room's decor. This method was often used historically to add visual interest and protect walls from wear and damage.</li>
<li><strong>Engraved Brim</strong>: A thick, engraved brim or molding that caps the wainscoting not only enhances the room's visual appeal but also acts as a practical ledge or transition. In your case, integrating handles for hidden doors within this brim is a sophisticated touch that marries the aesthetic with the secretive nature of servant access points.</li>
<li><strong>Seamless Doors</strong>: The idea of making the doors to servant corridors almost seamless with the walls contributes to a clean, uninterrupted look, maintaining the aesthetic integrity of the space while providing necessary functionality. This would have been particularly valued in a grand estate where the seamless integration of service access is essential to the overall elegance.</li>
<li>Foyer<ul>
<li>Immediately &nbsp;upon entering on the 2nd floor, you enter a huge Foyer.</li>
<li>The Foyer is 2 floors tall, though with an Arcade on the half closest to the outer wall. There are stairs going on top of this arcade, creating an elevated walkway and seating area here. There's also some seating area near the center below the elevated arcade. The arcade goes above the cloakrooms, and use them as support instead of relying on pillars.</li>
<li>A massive dual staircase can also be seen on the wall bordering the Audience hall, going up to the 4th floor. A massive golden chandelier also hangs in the middle of the room, in front of the dual staircase, with Concalian Crystals encased in glass/crystal.</li>
<li>The floor is made out of marble, with fine details engraved in the stone. Panels of Rosenwood cover the walls up to about waist height, intricately carved to create details both in details and depth. The upper brim &nbsp;has a thick brim of Rosenwood, also intricately carved.<ul>
<li>(the seating area above the arcade also has these rosenwood panels and rail)</li>
<li>Rosenwood is a type of wood where the wood itself is a deep mahagony-like red. It is very expensive, and comes exclusively from the Rosenwood further south in Rosella - it is actually what the region is named after.</li>
</ul>
</li>
<li>Paintings:<ul>
<li>Carnival and festivals</li>
<li>Landfall</li>
<li>Deities doing something they're about<ul>
<li>Callera dancing in a ball.</li>
<li>Fiori blowing a bunch of seeds out of her hand, that turns into a beautiful field</li>
<li>Meranzi looking onto a busy harbor from an elevated position.</li>
</ul>
</li>
<li>Painting of Alatri seen from an elevated position.</li>
<li>Above the rosenwood rail, the walls are plastered and painted red, with simple details in beige,</li>
</ul>
</li>
</ul>
</li>
<li>&nbsp;</li>
</ul>
<p>&nbsp;</p>
<p>&nbsp;</p>
<ul>
<li>General notes:<ul>
<li>Walls: Wainscoting and plastered, with painted patterns or entire paintings on the wall.<ul>
<li>Wainscoting: wooden panels or planks on the lower portion of the walls. &nbsp;Tends to be a lot of details in them. Thick railing at about waist height, intricately carved and made of luxurious wood</li>
<li><strong>Wainscoting Depth and Dynamics</strong>: The depth created by the panels, along with the dynamics of their design (carvings, moldings, and the overall texture), adds richness and a tactile quality to the room's decor. This method was often used historically to add visual interest and protect walls from wear and damage.</li>
<li><strong>Engraved Brim</strong>: A thick, engraved brim or molding that caps the wainscoting not only enhances the room's visual appeal but also acts as a practical ledge or transition. In your case, integrating handles for hidden doors within this brim is a sophisticated touch that marries the aesthetic with the secretive nature of servant access points.</li>
<li><strong>Seamless Doors</strong>: The idea of making the doors to servant corridors almost seamless with the walls contributes to a clean, uninterrupted look, maintaining the aesthetic integrity of the space while providing necessary functionality. This would have been particularly valued in a grand estate where the seamless integration of service access is essential to the overall elegance.</li>
</ul>
</li>
<li>Paintings:<ul>
<li>Carnival and festivals</li>
<li>Landfall</li>
<li>Deities doing something they're about<ul>
<li>Callera dancing in a ball.</li>
<li>Fiori blowing a bunch of seeds out of her hand, that turns into a beautiful field</li>
<li>Meranzi looking onto a busy harbor from an elevated position.</li>
</ul>
</li>
<li>Painting of Alatri seen from an elevated position.</li>
</ul>
</li>
</ul>